|Le Roman de la Rose, France, 15th cent., Yale University, MS 418.|
Writers of literary texts, though, described automata and their makers not in artisanal terms, but instead in elevated terms--as philosophers, sorcerers, and wise men, educated in the deepest secrets and mysteries of nature. However, as these men tried to copy Natura's work, making artificial people and animals, their work was considered debased, as it involved aping divine prerogative and copying natural forms. Natura forges people; people make forgeries.
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